As usual, the summer is proving more busy than anticipated. I had hoped to shoot the 12 Hours of Lodi Farm, the 12 Hours of Cranky Monkey race, as well as the complete Wednesdays@Wakefield series. In reality I missed Lodi and the Monkey, and at best I'll hit .500 on the Wakefield series. 'Tis amazing how much time these babies take.
The good news is that I was able to make it out to the third installment of the Wakefield series last week (the photos are posted here). The shooting was same as it ever was. There's a high treeline right next to the most interesting part of the course (the fast downhill woop-de-dos) which casts it into shadow by race time (5:30pm) and deep shadow by race end (~8pm). So I spent the first part of the race shooting on the less-interesting part of the course that still had decent lighting.
This junior-class (possibly super-junior class) racer was my favorite of the day. 99.9% of all racers (and riders...including me) skip this ~18" high rock obstacle (also seen in the photo above), since there is an easy bypass next to it. Not this kid! He went up and over for no other reason than he could. And he did it with a cast on his arm! In fact, he was the only person to hit it during my hour shooting from this location (a hour that included the beginner as well as the hotshot singlespeed classes. Bravo!
After spending the early part of the race in the sun, I decided to head over to the downhill woops and try to get some acrobatic shots of racers catching air. By the time I got over to that part of the course, another photog had set up shop in the prime location. That, along with the high growth of vegetation along the trail forced me to try and find some other creative angles. I resorted to using on-camera flash while letting the camera automatically drag the shutter (allowing both subject and background to be correctly exposed). The results were pretty good.
Not sure what this week's race will hold. I'm kinda tired of shooting in the same two spots. Tho shooting practically anywhere else would require a full studio light setup. Which I doubt the racers would appreciate :)